Mothra vs. Godzilla (1964)

       "He wants to turn that egg into the golden egg."

Mothra vs. Godzilla (1964) (モスラ対ゴジラ), also known as Godzilla vs. the Thing, is a Japanese kaiju film directed by Ishiro Honda. This film is a sequel to both Mothra (1961) and Godzilla vs. King Kong (1962) and is the first time Toho tried pitting one of its previously stand-alone kaiju against Godzilla, a trend that would continue quite a bit after this and often lead to some of the most popular fan-favorites of the kaiju films.

When a typhoon washes a giant egg ashore, the capitalist heads of Happy Corporation decide to turn it into a giant tourist attraction. A group of reporters investigating discover Mothra's twin fairies who beg them to help return the egg to it's home on Infant Island. But when the capitalists refuse, and Godzilla was also re-awakened by the typhoon Japan finds itself right in the middle of a giant monster battle.

[Note: this review is referencing the original Japanese version of the film.]

The moral tale in this film works really well, it may be a little heavy handed in the end but it's the key that ties the human protagonists story together with that of Mothra's story.

This film's story is basically a remake of the original Mothra (and to a lesser extent King Kong vs. Godzilla too) but what I liked about it is that each of these films isn't a direct remake and it really feels like Ishiro Honda (who directed all three) is experimenting with each one and trying something new, which in this case works out because he takes the plot of Mothra and the better protagonist story from King Kong vs. Godzilla and incorporates Godzilla into the story also and it is in my opinion the best of the trio. I also really liked the twist toward the end involving the egg. It's a clever way to catch even your big kaiju-fans on their toes and keep everyone interested in the film!

Despite being a little jarring at first, I actually thought the super-cartoonish portrayal of the capitalists actually works really well, and quickly helps you to root against these guys. I just don't understand why they get killed off so early? Maybe Honda just got tired with this particular storyline as it's the third time he's done it?


I also felt the endangered school children on the island at the end was a little over dramatic for my tastes but it really did help up the ante and provide more drama and suspense for the final battle of the film.

The special effects and use of models here are better than they've been in the last few films actually. It feels like Honda really took the time to shoot each of what works best on it's separate medium (models, costumes, live-action) and incorporate them as best as possible.

This is the first in the series they didn't even try to explain a lot of things (for example the origin of the first Mothra and Godzilla) this isn't necessarily a bad thing as the film works more or less on its own, and I feel like it was bound to happen with this being the fourth Godzilla film and probably the eight or so kaiju film Toho had made up until this point. I already thought the film rushes a bit in the beginning to set up everything but you're going to feel extra rushed if you haven't already had an intro to Godzilla or Mothra before this film.

I feel like this film is a prime example of a movie that could use a better structure. It seems like the film speeds up just to slow down in parts and we lose track of our human protagonists during giant monster battles that seem unfocused and there's large parts of the film that just go needlessly on for a bit too long.

Also maybe this was the result of a technical issue with scale or the models or something but the first battle with Mothra is WAY too close for some reason? There's a tone of super-close up shots during this battle that quickly cut to each other and make the otherwise very cool monster fight pretty hard to watch.

I really love the human protagonists in this film! They're probably the first ones since the original Gojira (1954) that actually made the human element of the film really worthwhile. They're a bit pure and idealized but their goodness plays into helping the kaiju in the story really well so it works for the film.

Also super note-worth is this is the first Godzilla film in a while where they actually took the time to show the destructive nature of Godzilla and how he affected people on the ground level on screen. Also this film cleverly incorporates his radioactivity into the story and ties nuclear testing on Infant Island into the theme and plot without over doing it very masterfully.

Mothra vs. Godzilla (1964) is a very enjoyable kaiju film, one of the good ones where the humans' story works really well with giant battling monsters' story.

4/5 Stars.

 Happy watching!



I'm tackling most of the early Toho Studios' Godzilla and Kaiju films in honor of the newest Godzilla (2014)

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King Kong vs. Godzilla (1962)

       "King Kong can't make a monkey out of us!"

King Kong vs. Godzilla (1962) (キングコング対ゴジラ) is an Japanese kaiju film by Toho and directed by Ishiro Honda and is technically a direct sequel to Godzilla Raids Again (1955) and less so to King Kong (1933).

An American submarine gets caught in an inceberg that happens to be the same iceberg that Godzilla is trapped in and accidently awakens the kaiju from his slumbler. As the world becomes aware of Godzilla's reappearance, it's world leaders quickly try to figure out a solution. At the same time looking for something to boost ratings on a television program he sponsors, Mr. Tako the head of a pharmaceuticals company just confirmed the existance of King Kong on the tiny Faro Island. Tako sees this as an opportunity to stop Godzilla and boost ratings at the same time.

[Note: this review is referencing the English-dubbed, American cut of the film.]

The overall story of this film isn't bad. It's actually very similar to Mothra (1961) and shares a lot of the same themes and character moments as that film. I also enjoyed our protagonists' story/journey here, not the most original, but the characters are likable and they definitely give you something to root for.

One of the coolest things about this story is that it actually works on its own perfectly and is the sequel to Godzilla Raids Again (1955) at the same time. The last time we saw Godzilla he was defeated by firing missiles into a mountain causing the kaiju to be buried in ice, which is where we find him is this film. The genius thing about the start of this movie is that if you've never seen a Godzilla movie in your life, you can watch this movie and just assume that it's Godzilla awaking for the very first time since the Ice Age because it pretty much plays that way here.

The other good thing about this film is how very humorous it is. It's not a good film at all, but it's very watchable.

First off the English-dub for this film is absolutely terrible. Someone thought that in order to make this film more watchable we'd need to constantly cut to these TERRIBLE English inserts that were shot to explain what is happening inside the story. Guess what we don't. The inserts were clearly shot at a different time, have a much poorer production design, and are just hilariously bad.

This may also be a weird dub thing but the film introduces all of these "weird science" rules like for some reason Kong is energized when exposed to electricity, while it has the opposite effect on Godzilla...? Which doesn't make sense because I clearly remember a scene of Godzilla tearing through electric powerlines in the original Gojira (1954).

This is one of those things that is overly apparent because I recently watched the original King Kong (1933), but Kong's acting in this is terrible. The funny thing about this statement is that I thought Kong's acting was really good in the original and that was all stop-motion, where here you have an actor in a suit and it's so much worse? In the original they based the way Kong moved off of wrestlers, if these filmmakers even looked at the original (which after watching this, I'm not really sure they even did) they would have notice the distinctive way he moves! Though Godzilla's acting here is pretty bad also so maybe the movie is just a good example of why fight choreography and story boards are necessary.

Another weird thing is for some reason this Kong is narcoleptic in this film? There's at least 4 times where Kong just lays down and goes to sleep, I was fine with it once but when it kept happening I started to think that maybe Kong needs to lay off the medication.


This is the first of Toho's kaiju films where I really felt like everything here was models and guys in suits. I don't know if this production was on a swifter budget, or Ishiro Honda had made a few of these by now, so with each one he cared less and less or what? One of the things that I noticed that may have added to this was that this film has an over-reliance on models. Where many of the other kaiju films would go shoot anything they could outside against a mountain or a hill, this film is mostly indoors and anytime the characters go outside it's on a set, overall it's just lazier.

The one magnificent thing about this movie is how bad it is considering all of the things it had going for it. This is one of the first "Godzilla vs." movies. They've pitted Godzilla, their most popular kaiju, against King Kong who greatly inspired the original creators of Gojira and the entire Toho kaiju franchise. And if that wasn't enough Ishiro Honda is directing, who literally has created all the best kaiju films I've seen up to this point. Some of this is probably due to some things being lost in translation with the English dub and the American cut, (to which I can't comment because I haven't seen the original Japanese version yet...) but still.

King Kong vs. Godzilla (1962) is not a good movie, but it is very watchable and strangely enjoyable  too.


3/5 Stars.

Happy watching!





I'm tackling all or most of the early Toho Studios' Godzilla and Kaiju films in honor of the newest Godzilla (2014), check back next time as I review the fan favorite: Mothra vs. Godzilla (1964).

Like this blog? You can support it by buying this film (and two others) through these links: